![]() While one turned out to be a con artist, the other disappeared from public eye without so much as a characteristically dramatic flourish. The English-speaking world had Miss Cleo, and the Spanish-speaking world had Walter Mercado. RL Walter Mercado and Lin Manuel Miranda in “Mucho Mucho Amor” Courtesy of Netflix “Mucho Mucho Amor” Some viewers may groan that the straight Golding is playing a gay character, but what’s most quietly revolutionary about “Monsoon” is that it makes no show out of gayness at all. Meanwhile, a romance blooms with a man played by Parker Sawyers, which is bolstered by an obviously steamy chemistry between the two leads. He carries his gay soul searching well, playing an expat returning to his roots in Vietnam. It’s hard to take your eyes off of him, and that’s not just because he’s in nearly every shot. In Hong Khaou’s lovely and hushed “Monsoon,” the debonair Henry Golding emerges from upstart Hollywood stardom as a calm, but still cool and compelling dramatic lead. Sharply edited and shot with an austere beauty, “Lingua Franca” is a profound example of what happens when marginalized voices are given full creative control. The film follows an undocumented trans woman as she saves up for a green card marriage, which becomes complicated by newfound romance. Sandoval is the closest thing queer cinema has to a trans auteur working on such a level. Premiering at Venice Days, the film was entirely directed, written, produced, and edited by Sandoval, who also plays the film’s lead. Isabel Sandoval’s masterful portrait of a trans Filipina immigrant is so intimately rendered it almost feels too close at times. In sweet protagonist Arjie, we find a joyous portrait of awakening, reckoning, and holding onto oneself. “Funny Boy” is heavy but never burdensome, lighthearted but never lightweight. As if with the breezy wave of a hand, Mehta has woven these intricacies with a painterly touch, stacking the opposing forces of sexual and cultural identity into a whirl of color and emotion and memory. Based on a beloved novel by Shyam Selvadurai, the film follows a queer Tamil boy coming of age amid rising ethnic tensions in 1970s Sri Lanka. The latest from “Fire” filmmaker Deepa Mehta, “Funny Boy” is a luminous coming-of-age tale seen through the eyes of a relatable yet entirely unique experience. JD “Funny Boy” ARRAY Releasing “Funny Boy” It’s the unexpected confluence of these eclectic elements that make it such a singularly delightful film. ![]() Karen emerges as the film’s comic lead and quintessential Jewish mother, haggling at the sex expo and questioning her daughter’s artistic choices in the same breath. Her loving account of her parents Barry and Karen Mason, and how they came to run one of LA’s most popular gay cruising spots, is the perfect blend of personal excavation and engaging storytelling. Filmmaker Rachel Mason follows in the footsteps of hybrid documentarian Kirsten Johnson, but throws in a heaping dose of Borscht belt humor, Jewish tradition, and gay history. It’s hard to think of a better premise for a documentary than a gay porn shop run by a straight Jewish couple, but throw into the mix that their daughter is the filmmaker and you have one of the most surprising films of the year. First-time feature director Gil Baroni makes a grand entrance with this flirty, heartfelt, and celebratory trans comedy. As Alice contends with boys’ school uniforms and ignorant bullying, she also opens herself up to new forms of friendship. She’s living her best life in a chic Brazilian city when her father unexpectedly moves her to the more conservative countryside. She’s a runner-up in a reality competition show for young models, which she never lets her adoring public forget via her bubbly YouTube updates. “Alice Junior” Netflix “Alice Junior”Įxuding charm, infectious energy, and unshakeable confidence, Alice is the teenage trans girl protagonist of your movie dreams. ![]() Here are the 12 best queer films released theatrically or on streaming services in 2020. Yet there were also movies as queer in their expression as in their content, like the body-swapping, gender-bending horrors of Brandon Cronenberg’s “Possessor,” or the cross-dressing marauders of the outback in “True History of the Kelly Gang.” The Best Films of 2020, According to IndieWire’s Staff
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